|
1960-67 |
Visual Compositions |
S. F. Conservatory of Music Sonic Series and San Francisco Tape Music
Center |
San Francisco, CA |
|
1962 |
Theater
Sculpture For Watchers, Walkers, Touchers (a 140 foot long interactive
polysensory course in an octagonal room) |
San Francisco Museum of Art |
|
1961-63 |
Visual Environments |
Anna Halprin Dance Company |
Kentfield, CA |
|
1964-65 |
City Scale: 6 hour work using the whole city as set |
collaboration with Ramon Sender and Ken Dewey |
Tulane Drama Review, Vol. 10 |
|
1964 |
Film for Play! #1 |
collaboration with Morton Subotnick |
|
|
1964-65 |
Multiple projection score and film for Mandolin by Morton
Subotnick |
|
|
|
1963-64 |
Multiple projection score and film for Desert Ambulance by
Ramon Sender |
San Francisco Tape Music Center |
San Francisco, CA |
|
1964 |
Light Improvisation with David Tudor and Pauline Oliveros |
|
1964-65 |
After
General Booth Enters Into Heaven |
|
1964-65 |
George
Washington Slept Here I & II (with Pauline Oliveros) |
|
1964 |
Light Improvisations for voice and tamboura |
|
1965 |
Light score and performance for Terry Riley In C |
|
1964-65 |
Floorlamps
(for lamps, video, 5 instrumentalists, and interactive score) |
|
1964-65 |
Room:
Film Theater: 20 minutes of unchanging loft room with sporadic
additions and subtractions of things and people |
|
1965-66 |
Multiple projection score and film for UCLA The Tarot Play IV
by Morton Subotnick |
University of California |
Los Angeles, CA |
|
1965 |
In
The Garden (with Ramon Sender) |
|
Berkeley, CA |
|
1965 - 4/67 |
Original multi-projector light shows for groups including: The Jefferson
Airplane, The Great Society, The Grateful Dead, Muddy Waters, The
Paul Butterfield Blues Band, The Mothers of Invention, Them, Junior
Wells, James Cotton. |
Bill Graham's Fillmore West |
San Francisco, CA |
|
1966 |
Light composition for The Beard by Michael McClure |
|
1966 |
Multi-projector light show for The Byrds |
Whiskey A Go-Go |
Los Angeles, CA |
|
1966 |
Light composition using multiple projection for Monteverdi incoronazione
di Poppea |
Mills College |
Oakland, CA |
|
1966 |
Trips Festival |
Longshoreman's Hall |
San Francisco, Ca. |
|
1965-66 |
Outlined visual control synthesizer built by Carl Countryman |
|
San Francisco, CA |
|
1967 |
Film and multiple projection for Wild Bull by Morton Subotnick
|
Colgate University |
Hamilton, NY |
| Silent
Light |
NYU Loeb Center |
New York, NY |
|
1967-70 |
Visual Director, created original visual system |
The Electric Circus, St. Marks Place |
|
1968-69 |
Special programs included works for the Electric Ear Series of new
music and visual compositions (e.g. Electronic Chamber with Morton
Subotnick) |
|
1968 |
Electronic
Chamber (for large space, electronic system Y, low-voltage lamps,
columnated light and interactive sound (with Morton Subotnick) |
Museum of Modern Art |
|
Interactive Sculpture |
|
1969 |
Interaction
Room (or Game Room) (20 x 20 x 10 room containing light and projection
installation activated by viewers using game principles) |
Howard Wise Gallery |
New York, NY |
| You,
Me, We |
|
La Jolla Museum of Art |
La Jolla, CA |
| Column
|
Howard Wise Gallery |
New York, NY |
| The
Well |
|
Everson Museum, permanent collection |
Syracuse, NY |
| Door
|
Howard Wise Gallery |
New York, NY |
|
Butler Institute of American Art
|
Youngstown, Ohio |
|
1971 |
The
Well II |
University Of Indiana Art Museum, permanent collection |
Bloomington, Indiana |
|
1975 |
Word
Wall |
Longridge Plaza, permanent collection |
Rochester, NY |
|
1982 |
Touching
Forks |
Institute for Art & Urban Resources, P.S. 1 |
Long Island City, NY
|
|
Visual Compositions and Performances |
|
1969 |
Silent
Light II (with Bill Sward) |
Whitney Museum |
New York, NY |
| Islands:
Projection scores for Jean Erdman and Mel Powell |
|
1968-69 |
Light compositions for Electric Ear Series |
The Electric Circus |
|
1970 |
Light Teepee Passing Light and Light Cook(with Bill Sward) |
NYU Loeb Student Center |
| Laser
Dance Performance piece for laser projectors, dancers, words
|
Wadsworth Athenaeum |
Hartford, CT |
|
Interior light system for the Experiments in Art & Technology |
Pepsi Pavilion, Expo 70 |
Osaka, Japan |
| Dome
Works I: Performance score for the Experiments in Art & Technology
|
|
1973 |
Energy
Junction Near Grovers Mills |
Princeton University |
Princeton, NJ |
| Spectral
Time, Tide |
York University |
Toronto, Canada |
|
Cooper Union School of Art |
New York, NY |
| Shipworks
(laser and sound) Avant Garde Festival |
Ferry at South St. Pier |
|
1974 |
Light composition in collaboration with David Tudor for Merce Cunningham
|
|
|
1974-75 |
Light
Pendulum |
Artist's studio |
|
1980 |
Vector
Image Wall and works on paper: Continuously changing electronic
drawing (electronic system and video projection) |
Institute for Art & Urban Resources, P.S. 1 |
Long Island City, NY |
|
1981 |
Flash
(with Margot Farrington) |
Katonah Gallery |
Katonah, NY |
|
1985 |
Visual score for Ink, Idea, White-Out by Margot Farrington:
Poetry & Visual Media Series |
Ward Nasse Gallery |
New York, NY |
|
1988 |
Interior
Bloom: (for multiple film and video projection) |
Victoria Theater |
San Francisco, CA |
|
San Francisco Tape Music Center Retrospective: Works of 1963-66
|
|
1992 |
Who
You Are Looking For Is Who Is Looking |
|
|
|
1993 |
Award and A showing of Who You Are Looking For Is Who Is Looking,
The 24th Baltimore Independent Film & Video Makers Competition |
Baltimore Film Forum at the Baltimore Museum Of Art |
Baltimore, MD |
|
2001 |
Retrospective for works performed in collaboration with composers
of the San Francisco Tape Music Center, and more recent video projection
piece |
Los Angeles County Museum Of Art |
Los Angeles, CA |
|
2002 |
Over Under Across, video projection installation |
Eyebeam,
Beta Launch N.Y.C.
|
New York, NY |
|
Feb.-Mar. 2003 |
Visual Poetry in Light in Time, three works for projection
|
Sideshow
Gallery
|
Brooklyn
, N.Y. |
|
2003 |
Galaxy,
a work for the web
|
Electronic
Arts Intermix
|
New York, NY |
|
2003 |
Light Marks Converse
for computer and video projection Sidewinder with
Morton Subotnick liquid projection, painting in time
|
Cal
Arts Theater at Disney Center |
Los Angeles , Ca. |
|
March 2004 |
Mode Records release Sidewinder
with Morton Subotnick
|
|
|
|
April 22, 2004 |
Interpretations Series Concert |
Merkin
Hall
|
New York City
|
| October 1,2, 2004 |
Wow and Flutter - Compositions for light, with composers of the San Francisco Tape Music Center, 1963-67 |
EMPAC at RPI |
|
| 2005 |
Hirshhorn-Smithsonian, Moca LA exhibition "Visual Music" -
Book entry- p. 160 and Chronology |
MOCA |
Los Angeles |
September 2005 |
Film Festival - " Five Stanzas" |
|
Seoul, Korea |
| 2006 |
Works and discourse presented by John Hanhardt, Sr. Curator,
Solomon R. Guggenheim Museum - The Annual Fales Lecture in English and
American Literature - "Off The Beaten Path: Archiving The Creative
Process in Late Twentieth Century Art" |
|
|
| 2006 |
Rotterdam, Netherlands Film Festival " Five Stanzas " DVD
|
Presented by Center for Visual Music |
Los Angeles |
| November 2006 |
Anthony Martin, Visual Composer |
Songlines Series, Center for Contemporary Music,
Mills College |
Oakland, Ca |
| 2006 |
Tony Martin's personal papers are available for research at The Fales Library |
|
|
| January 2007 |
"Three Visual Compositions" : two DVD's and Improvisation
Issue Project Room |
|
Brooklyn, NY |
| 2008 |
NYC and Vytlacil Center: performances- Art&Music |
Art Students League |
|
|
Miami-Basel Artfair : Multiprojector performance sponsored by PS1 |
Miami-Basel Artfair |
|
|
Art Students League, Painting as Moving Image, with live Jazz |
|
NYC |
| 2009 |
"Light Pendulum” |
an interactive light sculpture commissioned for free103point9 Wave Farm |
Catskill, NY |
| |
“Sound.Light.Migrations”,’09 with Pauline Oliveros |
Mills Music Festival |
“Desert Ambulance”, ’63 with Ramon Sender
|
| 2010 |
The Boiler |
Pierogi Gallery |
Brooklyn, NY |
|
Far Fields |
Variations: Dark& Light 2008,09 |
Treadwell, NY |
| 2011 |
Painting as Moving Image Performance with music by Morton Subotnick |
Roulette, Brooklyn - and European tour - Brussels, Rotterdam, Bremen, Lisbon |
|
| 2011-12 |
Residency Installation |
Clocktower gallery |
NYC |
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